I don’t have a Zia tattoo. Nonetheless, I wear New Mexico.
Like many, my teen years were rife with moments I can only cringe at today. Some of my most memorable, brattiest reveries include pouting until I had a pair of Pony sneakers like my idols KoRn. Most notably, however, for months, I sighed and rolled my eyes and scowled because my mother would not allow me to get a tongue piercing.
One day, she offered a compromise:
“Get a tattoo.”
I am not sure why this was a better alternative to her, but I was quick to jump on it.
One Friday night my junior year of high school, she, my sister and I went to the closest shop: Mijo’s New Image, the only one in the northeast heights of Albuquerque at the time. I picked up the nearest magazine and started flipping through the pages. I had never met nor cared to learn about the artist. And I picked this.
I cannot find it in me to get removed or covered up. It is my genesis.
15 years later, I lose count when I try to tally my current collection.
I have bangers from Friday the 13th block parties that I cherish more for their memories with my friends than their images. I have a piece I got on a sort-of whim amidst the chaos and excitement that was attending my first convention. I am currently undergoing laser removal treatment. I have used the physical pain of getting tattooed as a meditative process to let go of coincidental emotional torment (heartbreak, to be precise). I have about 25 hours of work on my upper right arm. I have a cover-up. I have endured an infection. I have a conglomerate of my mother’s favorite things and therefore what most would accept as the one with the most “meaning.”
I think she assumed I would stop at my first—the one she offered.
“Why can’t you just wear a nice necklace instead?” “You had such beautiful skin.” And the clincher: “Where did my daughter go?”
Notwithstanding my mother’s convictions, my tattoos are my way of claiming my body and proclaiming my sovereignty and my identity. As much as I can be allowed into the tattoo culture despite having absolutely no artistic skill whatsoever, I devour every facet of it.
Nonetheless, all of my ink has one thing in common: all of it was acquired in New Mexico.
I am not a rebel. I am not a member of a subculture. I am not intentionally making a statement against feminine beauty ideals. I am not damaged. Like these pieces reflect….
I am merely a storyteller. One who lives in a wonderful time where I can wear and expose my stories.
While I understand art and one’s body are both extremely subjective realms, I hope to share my experiences here not entirely as a reviewer, but mainly as someone whose stories—those set in this wonderful state—hopefully inspire others to find the best way of telling theirs.
I look forward to sharing my journeys into the diverse, amazing world that is the New Mexico tattoo culture.
I woke up the morning Trickster, ZymologistBob, and I were to take our pilgrimage to Santa Fe for Meow Wolf with high spirits.
I do not use the world “pilgrimage” lightly; since its opening in 2015, the installation has garnered astonishment, revere, and, from all I had heard and read, unparalleled wonder among the millions who have wandered through it. Meow Wolf has truly become a New Mexican rite of passage, especially, in my opinion, because it usually involves a commute (if not an outright journey), which tends to become an equally memorable facet of any experience. Similarly, I think the wonder of Meow Wolf is further strengthened by its rather unusual location in the national, cultural context. Here stands a diamond in the rough that triumphantly shouts New Mexico is becoming on par—nay, competitive with—places like Colorado, Oregon, and Washington in terms of cerebral uniqueness that for once has nothing to do with our history, but rather, and finally, the contemporary. It is a monument to us moving forward rather than us perpetually finding our identity in looking back.
About halfway to Santa Fe, we saw a billboard: a hodgepodge of colors, shapes, and lettering reminiscent of the 1980s. It just said “Meow Wolf.” No description. No indication of how many more miles left or which exit to take. We did not know it at the time, but this was outstanding foreshadowing.
After parking behind an auto repair shop on a side street a block and a half away (be prepared for this if you don’t arrive before or by the time doors open), it was then a literal uphill battle to the abandoned-bowling-alley-turned-art-space. About half an hour in line later, we made it inside the foyer, which included paintings of Spirograph-like designs and shellfish. Inching a bit more through the lobby and to the cashiers, we paid the $16 entry fee (the reduced price for NM residents) and went in.
My high spirits remained, and we were determined to “solve the great mystery” of the House of Eternal Return. Trickster was advised that we “start at the mailbox.” After shuffling through its contents of sympathy cards, we took a mental note of their who, what, when, where, and why, and climbed the porch steps to enter the House’s living room through the front door.
And it was reminiscent of the parties my roommates used to hold when I was an undergrad sharing a 2-story house near campus with 5 guys.
I did not last 3 months in that house (a testament more to myself and my reserve). And I did not last 3 minutes in the living room of the House of Eternal Return.
The sounds and the smells of overcrowding were enough to make me abandon my role as sleuth and instead divert to casual observer.
For me personally, it was just too crowded, although I understand some have no problem with that. However, as someone who also has a slight aversion to (and fear) of children, it was even more overwhelming; we were smack dab in the middle of the Winter Break, after all. So rather than try to read through the photo albums, newspapers, and books that no doubt had more clues, we hightailed it through the fireplace to the mammoth-skeleton xylophone. (No, I am not the last recipient in a game of Telephone.)
After the visual stimulation had worn off, though, I found myself facing the same issue once more. There were too many people (i.e., children) slamming the mammoth’s musical ribcage, which both gave me the gist of what it did and made me ready to move on to the next exhibit as soon as possible.
Thus was our method for experiencing the rest of Meow Wolf, hastily absorbing the essentials of any given room before moving on. We had gone through all of the installation in slightly over an hour this way: roughly a third of the time folks usually spend there.
I must give credit to Meow Wolf’s element of surprise. For example, I had momentarily forgotten the installation is supposed to take place within one house; the mammoth led us to a spaceship which led us to a forest which led us to a bridge which led us to a teenage girl’s bedroom on the second story.
There is just enough order to give method to the madness, and there is just enough madness in the order to keep you interested.
I think to describe any particularly noteworthy exhibit or exhibits is fruitless, for what is noteworthy to me was not to [Trickster], was not to [ZymologistBob], and was not to any other patron. I think the Meow Wolf experience is a self-determining industry.
What you derive from it is based on your own experience, not just within the space, but also as the word also means your identity shaped by a collection of your memories up to that point. Perhaps this means, then, that my overall “It was OK” attitude speaks only to my own self: an overstimulated and introverted millennial whose dog had just died.
I did have one memorable experience, however. December brought a lot of personal hardship for me. When we came across a camper that had a tarot card reader inside it (this is apparently a regular thing, by the way), I was eager to withstand the 25-minute wait in line to see her. I was given lots of advice about my job, which was eerily spot-on (even if I was desperate for her to give me any direction in the personal realm instead). Perhaps I also enjoyed it so much because it was my first and only opportunity for me to enjoy Meow Wolf more privately (sort of…people are welcome to walk through the camper, and many stop to witness your reading).
Personally, I will not be among the droves of people who swear Meow Wolf is the most incredible, life-changing thing they have ever seen. However, as with any piece of art, maybe that is just my own interpretation of it. Like its billboard, you cannot go with any pre-determined needs. For me, my needs unfortunately were a bit more personal, if not outrageous: I was just hoping for fewer than 950 people during a time everyone was on Christmas vacation and no doubt had visiting friends and family they needed to entertain as well as their own children. Thus, I would recommend it at least be checked out once, but ideally on a weekday and as close to opening hour as possible.
However, I will always appreciate something that is so essentially part of New Mexico’s identity now that the day a child pooped in an exhibit toilet there, it made headlines across the state for two days.
Visit the Meow Wolf official site for hours, directions, and ticket pricing. Please let us know if you attend and have a life-altering experience!
I have a confession to make. Look away now if you don’t want to know my shame. Ready? Deep breath. Here I go. Oh man, this is so hard. Okay, here it is.
I went to Meow Wolf and I was….eh…about the whole experience.
Look, I’m as surprised as you are. Everything about the idea of Meow Wolf intrigued me. The immersive art experience in Santa Fe is all about the fantastical and creative multimedia installations.
Centered around the permanent installation, House of Eternal Return, Meow Wolf offers visitors the opportunity to explore a Victorian house owned by the Selig Family that due to some mystery has dissolved time and space. Everyone I talked to raved about Meow Wolf and told me how amazing and life changing the experience was. People who had visited had been multiple times like some it was some religious journey to Mecca. Based on all of that, I mean what’s not to love?
But alas, I didn’t. [ZymologistBob], our new blogger [Trinitite], and I made our own journey to Meow Wolf Mecca to experience the exhibit first hand. I should have known once we saw the giant spider metal installation standing guard outside the building that Meow Wolf might not really be the place for me. But I wasn’t going to let that deter me from the magic inside. We waited in line (there are always lines and crowds at Meow Wolf) and shared our excitement with other wanna be patrons. As we checked in, I asked the cashier if there were any tips to getting the full experience out of the exhibit.
“There’s no right way or wrong way to experience Meow Wolf,” she said, “but start with the mailbox.”
We went in and started at the mailbox. There were letters and postcards from the Selig family, I think. It didn’t make much sense. But you know, that’s okay. I didn’t need things to make sense. I just needed whimsy and magic. We entered the Victorian house and started exploring. There were secret entrances that led to different worlds. A fireplace that led to a prehistoric area. A refrigerator that led to somewhere. I can’t really remember. Don’t get me wrong, the attention to detail and the artistry is supreme. It was gorgeous. It was magical. It was creative.
But it was just too much. Too much color, too much light, too much of it not making sense. It was like a giant artistic flea market where every artist peddled their creativity, but as a whole it was overwhelming. The mystery reminded me of an escape room experience, but without any real clues that I could find. Add to that the crowds and I couldn’t really enjoy myself. And to be honest, the place smelled. Like a fast food restaurant play area on a hot day.
So there you have it, my confession. I’m not saying don’t go to Meow Wolf. Maybe you’ll experience a life changing experience there. But as for me, I’m going to look elsewhere.
Visit the Meow Wolf official site for hours, directions, and ticket pricing. Please let us know if you attend and have a life-altering experience!
The High Road is a NM Scenic Byway that connects Santa Fe and Taos. A little over 50 miles of roadway winds along through the Sangre de Cristo mountains through small towns, land grants, pueblos, and villages. (The Low Road, by comparison, connects Santa Fe and Taos via the valleys along the Rio Grande.)
The High Road begins in Pojoaque, then passes through the towns of Nambe, Chimayó, Córdova, Truchas, Ojo Sarco, Las Trampas, Peñasco, Vadito, Sipapu, and finally Taos.
Along the way are no less than 50 small galleries and shops displaying the art of local artists. Our intention was to stop at several galleries along the way, but we found that many were closed (or just seemed empty) on the day we were driving through.
One place we did stop and browse was the High Road Marketplace in Truchas. This shop displays the art of many artists in a variety of media — paintings, ironwork, gourds, etc.
We then visited the gallery of painter Charlee Newman in Ojo Sarco. Her oil landscapes and pastels of wildlife were stunning and we all left there wishing we could afford to take a few home with us. Also, the gallery was on her private property, and we were shown around by Ms. Newman herself. In true EatingNewMexico style, we all noted that whatever she was cooking up for dinner smelled REALLY GOOD.
Smelling whatever was roasting on the Newman property got us all pretty hungry. So we checked our maps and decided to stop and eat in or near Peñasco. According to Yelp, a little place called Alicia’s Café was nearby and open at the right time and claimed to serve New Mexican food. So we aimed ourselves at it, in hopes of some Enchiladas with Red. You know how it is when you just NEED some red. That’s where we all were.
So, all the map apps LIE.
After being sent way out of the way by both Apple Maps and Google Maps about 4 times (with a loss of about 30 minutes), we were all starving and ready to get our grub on. We searched and searched. We were ready to give up. We pulled into a parking lot to make a final U-turn and just get the heck out of dodge and try our luck in another town.
HARK! An old building with a kind of skeezy sign out front reading: New Mexican Food. I honestly don’t remember the name of the restaurant or really much about it other than that we walked in and all said, “Nope.” Meaning, let’s just tend to our blood sugar then get out of here. There was something off about the feng shui or something, but we all knew immediately we didn’t want to spend a whole lot of time there. We ordered chips and salsa (very yummy) and chile-cheese fries to share around the table. The waitress informed us that the restaurant actually used to be Alicia’s, which we had been looking for all along. Ah, evil irony.
We didn’t take any pictures of anything to write a real review, which is unfortunate because the red chile on the fries was SUPER good.
We finished up quick and got back on the road. I think we all would have liked to have spent a little more time on The High Road, meandering along, walking through galleries. I think the best bet here would be to take one of the organized tours (offered here via High Road Artisans) to ensure the most galleries will be open, and that you won’t be the only person walking through someone’s home/gallery, looking through at their stuff.